THE HEART JOURNAL : Performance Art: The Last Bastion of an Artworld Beyond the Market?
Julia Halperin's profile on Miet for CULTURED MAGAZINE titles:
'Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.'
IT NEVER SSST has been included by THE ART NEWSPAPER in their article on the best pavilions at the Biennale Arte 2026.
10 best national pavilions in ARTSY'
7 Pavilions That Have the Venice Biennale Buzzing NY TIMES
HYPERALLERGIC MAGAZINE : Performance Cuts Through the Noise at the Venice Biennale
Florentina Holzinger and Miet Warlop transform the Austrian and Belgian pavilions into immersive spectacles of endurance, ecological dread, and controlled collapse.
The hottest exhibitions at the world’s major art exhibition were shuttered on Friday as part of a pro-Palestinian demonstration NY TIMES
THE GUARDIAN Venice Biennale review
FOCUS KNACK : Performancekunstenaar Miet Warlop brengt een deugddoende dosis aardse energie / Performance artist Miet Warlop brings very satisfying dose of earthy energy.
Q+A with Miet Warlop by ART REVIEW
THE FINANCIAL TIMES From Belgium, stomping and banging resounds across the gardens: in Miet Warlop’s absurdist “IT NEVER SSST”, performers climb the walls, beating drums, reciting a multilingual mash-up — “Sssh! Ssst! Lalalalala! Fall Fall Fall! Osez Oser! E tu e tu e tu!” Crowds pant after them as they leap over wooden tables and smashed plaster sculptures of broken words.
LA LIBRE BELGIQUE Formidable Miet Warlop
BELGIAN NEWS AGENCY Flemish Culture minister opens Belgian pavilion at Venice Biennale
The Belgian pavilion was included in Connaissance des Arts Venice highlights , Beaux Arts' biennale preview and Designboom's 'must see pavilions' (on instagram here)